![]() But if there is any one reliable way to spot a noir in the wild, it's that they are incredibly dark, both in tone and in their unmistakable use of murky, high-contrast cinematography.īetween all the killings, sleaze, and moral ambiguity, the line between noir films and the horror genre is about as thin as a shadow. Case in point: Alan Parker's 1987 film "Angel Heart," which follows Harry Angel (Mickey Rourke), a down-and-out private investigator who is hired to find a missing barfly in New Orleans. There is no singular checklist for what defines noir. ![]() ![]() Morally ambiguous private eyes and cruel city streets felt appropriate given the state of things. This strain of crime films contained a suffocating darkness, hardened pessimism, and the disillusionment felt everywhere in the wake of World War II.
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